{"id":478,"date":"2013-03-01T09:01:00","date_gmt":"2013-03-01T16:01:00","guid":{"rendered":"http:\/\/www.danziger.com\/articlesnews\/?p=478"},"modified":"2013-03-01T09:01:00","modified_gmt":"2013-03-01T16:01:00","slug":"after-the-storm","status":"publish","type":"post","link":"https:\/\/danziger.com\/?p=478","title":{"rendered":"After the Storm"},"content":{"rendered":"<p class=\"MsoNormal\"><strong style=\"mso-bidi-font-weight: normal;\"><em style=\"mso-bidi-font-style: normal;\">Sandy caused havoc for galleries, artists, and collectors; thousands of works were damaged or destroyed. Now what?<\/em><\/strong><\/p>\n<p class=\"MsoNormal\">THE SILVER LINING BEHIND writing this column-in addition to the random fan letters we get from bored museum guards and our mother-is receiving interesting questions from our readers.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>In the wake of Hurricane Sandy, queries flowed in concerning the sometimes arcane laws affecting damaged works of art.<!--more--><\/p>\n<p style=\"mso-tab-count: 1;\">\u00a0\u00a0\u00a0\u00a0 The first wave of questions concerned the Visual Artists Rights Act of 1990 (VARA).<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>This often misunderstood federal statute permits artists to take their names off damaged works (the \u201cright of attribution\u201d) and allows them to prevent an intentional modification of their art that would harm their reputations (the \u201cright of integrity\u201d).<\/p>\n<p class=\"MsoNormal\"><strong style=\"mso-bidi-font-weight: normal;\">Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span><em style=\"mso-bidi-font-style: normal;\">Three beautiful seascape watercolors that I painted were washed away in the hurricane after their idiot owner stored them in his pool cabana. May I sue for damages under VARA?<\/em><\/p>\n<p class=\"MsoNormal\"><strong style=\"mso-bidi-font-weight: normal;\">A.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span><\/strong>No.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Under VARA\u2019s right of integrity, an artist may claim damages only for the intentional distortion, mutilation, or other modification of art that would prejudice the artist\u2019s honor or reputation.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>This would preclude your recovery even if the owner were negligent in storing works in an unsafe location.<\/p>\n<p class=\"MsoNormal\"><strong>Q.\u00a0 <\/strong>Good news:<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>The idiot owner just found one of the watercolors, but now he wants to have his grandson do the restoration.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>What if he screws up the job?<\/p>\n<p><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>The owner could be liable under VARA if the conservation effort is so botched as to constitute \u201c gross negligence.\u201d<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>In the 2010 U.S. District Court case Ascalon v. Department of Parks &amp; Recreation, sculptor David Ascalon sued the Jewish Federation of Greater Harrisburg for violating VARA after the Federation replaced the sculpture\u2019s rust-colored \u201cbarbed wire\u201d element with a stainless steel replica, and replaced the artist\u2019s name on the piece with the name of the restorer.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>The case was settled, with the parties agreeing that Ascalon would remake the barbed wire element in rust-colored steel and his name would be restored to the work.<\/p>\n<p class=\"MsoNormal\"><strong>Q.\u00a0 <\/strong>I am the \u201cidiot owner\u201d of the watercolors at issue, and have two questions.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>First: I have a beachfront estate in Southampton and the artist lives above his aunt\u2019s garage in Yonkers-so who\u2019s the idiot? Second: How can I limit my legal liability under VARA when having the artwork restored?<\/p>\n<p class=\"MsoNormal\"><strong>A.\u00a0 <\/strong>Follow \u201cbest practices,\u201d such as those promulgated by the American Institute for Conservation; consult with the artist directly about restoration; and ideally, try to obtain from the artist a written waiver of VARA rights for conservation.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Unlike comparable artist-rights laws in most European countries, VARA allows artists to sign away their rights.<\/p>\n<p class=\"MsoNormal\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Would VARA apply to my limited-edition print of boxer Rubin \u201cHurricane\u201d Carter?<\/p>\n<p class=\"MsoNormal\"><strong>A<\/strong>.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>It depends.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>VARA does not apply to art in editions of 200 or more signed and numbered copies.<\/p>\n<p class=\"MsoNormal\"><strong>Q.\u00a0 <\/strong>Even if a print were done by a famous artist like LeRoy Neiman, who passed away just last year?<\/p>\n<p class=\"MsoNormal\"><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>VARA doesn\u2019t apply to works by deceased artists.<\/p>\n<p class=\"MsoNormal\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>What if the artist\u2019s career is dead?<\/p>\n<p class=\"MsoNormal\"><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Not our problem.<\/p>\n<p class=\"MsoNormal\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>How about an older work?<\/p>\n<p class=\"MsoNormal\"><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>VARA doesn\u2019t apply to works of art that were created or modified before June 1, 1991, which was the effective date of the statute.<\/p>\n<p class=\"MsoNormal\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>I\u2019m worried that a certain difficult artist (hint: He lives in Yonkers) will demand to have his name removed from a damaged watercolor, as permitted under VARA.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Does this sort of thing happen often?<\/p>\n<p class=\"MsoNormal\" style=\"tab-stops: 279.0pt;\"><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Not in our experience.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>The trickier question is to what extent minor, reparable damage would give rise to this right.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Unfortunately, VARA gives no guidance on this point, and there is little case law in this area.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>However, in one recent case, artist Cady Noland exercised her right to disclaim authorship on a work she considered damaged.<\/p>\n<p class=\"MsoNormal\" style=\"tab-stops: 279.0pt;\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Does VARA apply to unfinished works?<\/p>\n<p class=\"MsoNormal\" style=\"tab-stops: 279.0pt;\"><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Yes, according to the 2010 ruling Massachusetts Museum of Contemporary Art Foundation, Inc. v. Buchel, where the U.S. Court of Appeals for the First Circuit stated:<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>\u201cThat convergence between artist and artwork does not await the final brushstroke or the placement of the last element in a complex installation.\u201d<\/p>\n<p class=\"MsoNormal\" style=\"tab-stops: 279.0pt;\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\"> H<\/span>ow about site-specific works?<\/p>\n<p><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>The tide may be turning on this one.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Although the court in the 2006 case Phillips v. Pembroke held that VARA did not apply to site-specific sculptures, a different reasoning was applied in 2011 with Kelly v. Chicago Park District, which involved a wildflower garden created by artist Chapman Kelley that park officials sought to reconfigure.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>There, the United States Court of Appeals observed that \u201cSite-specific art-like any other type of art-can be defaced or damaged.\u201d<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>The court nevertheless dismissed the artist\u2019s VARA claims, reasoning that a living garden does not qualify for copyright<\/p>\n<p><span style=\"mso-tab-count: 1;\">\u00a0 \u00a0 \u00a0 <\/span>The second wave of questions were from readers who were a bit more\u2026at sea:<\/p>\n<p class=\"MsoNormal\"><strong>Q.\u00a0 <\/strong>What changes can I expect to see in my art insurance coverage post-Sandy?<\/p>\n<p class=\"MsoNormal\"><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>You\u2019ll see more watertight provisions in favor of underwriters.<span style=\"mso-spacerun: yes;\">\u00a0 <\/span>For instance, works might be covered by insurance only if kept above flood level and if a gallery strictly follows the insurer\u2019s instructions to relocate art before an impending storm.<\/p>\n<p class=\"MsoNormal\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>My sculpture of our schnauzer was destroyed in the hurricane. The artist is now refusing to refabricate it, but since I owned the sculpture (and the schnauzer), can I reproduce it myself?<\/p>\n<p class=\"MsoNormal\"><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>No. Owning a work of art does not give you the right to reproduce it; only the copyright holder may do so. Last we checked, only God can create schnauzers, so-unless your artist is Jeff Koons and he consents-you should treat this as water under the bridge.<\/p>\n<p class=\"MsoNormal\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>I own a conceptual work and the certificate of authenticity was washed away (but the certificate lives on in my imagination). The artist, or the estate, must issue a new certificate, correct?<\/p>\n<p class=\"MsoNormal\"><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Good thinking-but no. The estate of Dan Flavin, for instance, typically does not issue replacement certificates, and Flavin himself reportedly boasted, \u201cI did my certificates on pulp paper because I knew they would disintegrate.\u201d<\/p>\n<p class=\"MsoNormal\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>An ex-employee sued my gallery as a result of a small misunderstanding (the police report had it all wrong) and has won a judgment against the gallery. Can she go after insurance proceeds for works consigned by artists to the gallery that were damaged in the hurricane?<\/p>\n<p class=\"MsoNormal\"><strong>A.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>Not any more. The New York Arts and Cultural Affairs Law, which was strengthened on September 7, 2012, states that art, and proceeds from art (such as insurance proceeds), held in trust for an artist by a gallery cannot be reached by the gallery\u2019s creditors. Dealers who violate the law are now subject to criminal penalties and liable for legal fees incurred by artists in enforcing their rights-a sea change for younger artists.<\/p>\n<p class=\"MsoNormal\"><strong>Q.<\/strong><span style=\"mso-spacerun: yes;\">\u00a0 <\/span>What made you two brothers decide to practice law together?<\/p>\n<p class=\"MsoNormal\"><strong>A.<\/strong> <span style=\"mso-spacerun: yes;\">\u00a0<\/span>Cloudy judgment.<\/p>\n<p class=\"MsoNormal\"><a title=\"2013-03 After the Storm\" href=\"http:\/\/www.danziger.com\/brothersinlaw\/\" target=\"_blank\"><strong>Download this article here.<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE SILVER LINING BEHIND writing this column-in addition to the random fan letters we get from bored museum guards and our mother-is receiving interesting questions from our readers.  In the wake of Hurricane Sandy, queries flowed in concerning the sometimes arcane laws affecting damaged works of art.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-478","post","type-post","status-publish","format-standard","hentry","category-articles"],"_links":{"self":[{"href":"https:\/\/danziger.com\/index.php?rest_route=\/wp\/v2\/posts\/478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/danziger.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/danziger.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/danziger.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danziger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=478"}],"version-history":[{"count":0,"href":"https:\/\/danziger.com\/index.php?rest_route=\/wp\/v2\/posts\/478\/revisions"}],"wp:attachment":[{"href":"https:\/\/danziger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/danziger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/danziger.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}